100 Years Of Crime Stories by George Elizabeth

100 Years Of Crime Stories by George Elizabeth

Author:George, Elizabeth [Elizabeth, George,]
Language: eng
Format: epub
Tags: Mystery, Thriller, Crime, Suspense, Contemporary, Adult
ISBN: 9780060588229
Publisher: HarperCollins
Published: 2003-01-02T00:00:00+00:00


The Case of the Pietro Andromache

SARA PARETSKY

Sara Paretsky (b. 1947) was born in Ames, Iowa, and educated at the University of Kansas, Lawrence, and the University of Chicago, where she attained a Ph.D. in history. After working as a business writer and direct-mail marketing manager for an insurance company, she turned to fiction writing with Indemnity Only, which introduced Chicago private detective V. I. Warshawski, one of two renowned female p.i.’s to debut in the watershed year of 1982. As fictional sleuths go, Warshawski is a specialist. Paretsky writes in St. James Guide to Crime & Mystery Writers (4th edition, 1996), “Like Lew Archer before her she looks beyond the surface to ‘the far side of the dollar,’ the side where power and money corrupt people into making criminal decisions to preserve their positions. All of her cases explore some aspect of white-collar crime where senior executives preserve position or bolster their companies without regard for the ordinary people who work for them.” These guidelines provide scope for plenty of variety of background from medicine to politics to religion to law enforcement.

Along with producing her own fiction, Paretsky has done much to advance the cause of women crime writers generally, editing anthologies of their work and founding the highly successful Sisters in Crime.

Paretsky’s name is invariably bracketed with that of Sue Grafton, who also introduced her female private eye Kinsey Millhone in 1982.

The two writers are about equally capable, though V. I. Warshawski is a bit harder-edged and certainly more overtly political in her point of view than Millhone. One result of the continual comparison, Paretsky admits in a recent interview in Crime Time magazine, is that she is no longer able to read Grafton, whom she previously enjoyed, for fear of being unconsciously influenced.

Like many of the female private eyes, V. I. Warshawski has an extended family of friends that recur from book to book. Two of them, Lotty Herschel and Max Loewenthal, appear in “The Case of the Pietro Andromache,” a story that has achieved the status of a modern classic judging by the number of times it has been antholo-gized.

You only agreed to hire him because of his art collection. Of that I’m sure.” Lotty Herschel bent down to adjust her stockings.

“And don’t waggle your eyebrows like that—it makes you look like an adolescent Groucho Marx.”

Max Loewenthal obediently smoothed his eyebrows, but said,

“It’s your legs, Lotty; they remind me of my youth. You know, going into the Underground to wait out the air raids, looking at the ladies as they came down the escalators. The updraft always made their skirts billow.”

“You’re making this up, Max. I was in those Underground stations, too, and as I remember the ladies were always bundled in coats and children.”

Max moved from the doorway to put an arm around Lotty. “That’s what keeps us together, Lottchen: I am a romantic and you are severely logical. And you know we didn’t hire Caudwell because of his collection. Although I admit I am eager to see it.



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